Thursday, 31 October 2013

Music video changes

Unfortunately I had to change the location for the ‘room’ scenes of my music video. This was due to my of consideration when it came to equipment and whether power sockets where available at the location. This meant that I had to change my original idea to accommodate the change of location. As the new location was a bedroom of a typical teenager (my target market) this meant that the scenes where the boy is ‘trashing’ the room where unable to film. The lack of these scenes meant that the entire plan for the video had to be re-planed and this change taken into account.

I then decided that the video would still follow the basic principles of the existing plan and that to accommodate for this change the narrative side of the video should become less structured and more open for interpretation. The narrative would still include the boy and girl braking up and getting back together but the reasoning and transition would be less clear. This enables the viewer to perceive the couple in the way they wish and they can then create their own scenario for what the couple’s situation is. This gives the viewer the chance to make the video more personal to them as they usually create scenarios that are similar to those they have been through in their life. This choice was also inspired by existing videos such as My Chemical Romances music video for- I don’t love you and Panic at the discos- I write sins not tragedies. which use very unstructured narratives in their videos.  

I also believe that the lack of structure in the narrative mimics the lyrics of the song which are very unspecific about the couple and instead focus mainly on the feelings of a person in a relationship that is unstable. The lyrics at the beginning of the song ‘when the walls care in I will pull out, when the grounds shaking I will hold you down and I swear to god that we will make it out alive’ demonstrates the kind of ‘destructive’ or ‘unstable’ love that the song is about. The line shows that no matter how their relationship brakes down that he still cant help loving her and that he will try to make the relationship work. The rest of the song follows this theme and the details of the relationship are never mentioned. Therefore I think that by not including the details in the music video the video illustrated the lyrics and intentions of the song. This idea follows Andrew Goodwin’s theory that there is a relationship between the lyrics and visuals, and that there is a relationship between the music and visuals.

Saturday, 26 October 2013

Narrative- Todoroys theory


Definition of narrative: A chain of events in a cause-effect relationship occurring in time- Bordwell & Thompson film Art 1980

 Todoroys theory-

             Equilibrium – a state of equilibrium at the outset

             Disruption – a disruption to the equilibrium

             Recognition – recognition that there has been disruption

             Resolution – an attempt to repair the disruption

             Equilibrium – a reinstatement of the equilibrium

 

My music video follows the conventional narrative of Todoroys theory.

Equilibrium-Happy couple at the beginning

Disruption-She leaves

Recognition- he holds out his hand/angry face or finding the object

Resolution- he goes back to her

Equilibrium-together looking at the stars at the end

 

Close ups to show emotion and intimacy

Location is private mysterious pure natural

Props: rose symbol of love, Romeo & Juliet poster star crossed lovers doomed love, love heart,

 

 

lyrics

I said I'll be there to the end from the start cause I made that vow when you stole my heart

 And it's the hardest thing to see the pain thats in your eyes            Equilibrium- happy couple

 And when the walls cave in I will pull you out

 When the ground's shaking I will hold you down

 And I swear to God that we'll make it out alive

 

So look up look up when the sky is falling

 Look up, look up can you hear me calling

 Look up, look up when the sky is falling

 Look up, look up, look up, look up

 

Just drive, just drive, just drive away

 I know it's hard to hear it but I've gotta say

 From the moment you came, to the second you left

 Theres' not a single minute that I don't regret

 

And those promises, that I said I'd save, for the darkest day I'll keep them now

 

Those promises, this promise kept

 You took my heart the day you left                           disruption-she leaves

 Can't understand the reasons why

 But I can't stop this rage inside

 Look at the stars I think of you

 You turn around and fall out of view

 Well that is that, I gotta say

 I hope your happy in this mess you made                           recognition  -gets angry

 

Just drive, just drive, just drive away

Tuesday, 15 October 2013

Copyright responce E-mail

 

This was the response I got from Mallory Knoxs label company about the copyright for the song.

Monday, 14 October 2013

Equipment

Equipment-
·      Mic
·      Drums
·      Guitar
·      Camera
·      Tri-pod
·      Light
·      Face paint

Props


Props-

·      Photos

·      Lamps

·      Mirrors

·      Fabric

·      Chair

·      Table

·      Ornaments

Friday, 4 October 2013

Copyright Permission Letter

 
 
 
 
 
  
 
My enquiry-

Dear Copyright Holder,


I am an A-Level media student and as part of my coursework we are required to make a music video. I am writing to you to request your permission to use the song 'Promises' from 'Mallory Knox’s' debut album 'Signals'.
With your permission, this song would be featured in my music video as part of my Media studies A-Level coursework, accompanied with an album cover and promotional poster for the artist.
If we received your permission, the track would only be used in an educational context and be viewed by my teachers and the exam board moderator.
The artist and your company would be fully recognised throughout the production process and the video itself. A copyright notice with wording supplied by you can be included in the records of the project. If this is required, please send full details.
I look forward to hearing from you,
Regards,
Jessica Anne Colclough